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Imps, Gold Diggers and Roller Disco: My Top Ten Film Discoveries of 2015

Yes, it’s that time of year again. As 2015 draws to a close, everyone wants to let you know their favorite movies, TV shows and Tumblr posts of the year. Being a classic film blogger makes the task a little bit different. These sorts of lists focus on films that aren’t new at all, but are new to the author. I compiled one of these lists last year, and it’s time to do so again. Some of these films won’t come as surprises, seeing as I’ve gushed over them in previous posts. But since I don’t do many reviews on here, some of these haven’t been mentioned before.

The following ten films are presented in order of their age, and there is a recurring theme: three of them are musicals. Everyone needs to see more musicals, after all. Take a look, and maybe you’ll find some new films to love too.

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The Black Imp (1905)

In our last post about Santa Claus in early film, we touched about a common at the start of the century: the stop-motion camera trick. Accomplished through freezing a spot in the film and resuming the shot with new items in place, it was one of George Méliès’ favorite trick techniques. This short is all about that trick shot, and it’s played to perfection. The plot is simple enough: a devil-like figure wreaks havoc on a man through many tricks. Not only does he appear and disappear, but many other objects do as well. The highlight (seen above) involves a wealth of chairs popping up from every direction–and then going away just as quickly. At just over four minutes, the bit doesn’t overstay its welcome. Short and to the point, it is both a mesmerizing technical achievement and an amusing watch.

Sherlock Holmes (1916)

As mentioned in our holiday gift guide post, 2015 gave us a chance to see some previously lost films. Most notable of all is this Sherlock Holmes adaptation, one of great historical significance. It’s finally possible to see the legendary stage actor William Gillette play Holmes, and it is quite the treat. This may be a runaway candidate for best film version of a Sherlock Holmes story.

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The Phantom Carriage (1921)

Why The Phantom Carriage is such a fantastic film was covered in this review. The praises cannot be sung highly enough: this is a haunting, jarring film that will stay with you for a very long time.

Murder! (1930)

We touched on this Alfred Hitchcock film a bit earlier this year, when talking about the multiple language versions of early sound films. This is both a departure for Hitchcock and familiar ground all at the same time. A rare straight mystery, it also combines the common elements of dark humor, the wrong man and suspense-packed conclusion. It’s an under the radar Hitch film, but one well worth seeing.

Girls About Town (1931)

If any introduction was needed to some amazing Precode film personalities, this film would serve as an excellent choice. Kay Francis and Lilyan Tashman play two women with a goal of swindling lonely businessmen of their money. Of course, things get more complicated when one of them (Francis) falls in love with the one rube. With that combination, it’s both a light fun comedy and a heartbreaking tale at times. The two leads could not be better in their complementing roles. Francis plays all serious moments to the hilt, while Tashman provides a lively shot of humor.

Le Million (1931)

Directed by René Clair, this French musical just exudes joy and fun. The fact that it is an amazing technical marvel as well is an added bonus. From the very start, the film moves at a frantic fun pace that never lets up. Given that this is an early sound film, that makes the wild and rapid camera movements all the more impressive. It even has an almost operatic feel, with almost constant singing and with some form of a chorus present. The actual plot revolves around finding a million dollar lottery ticket, but that’s all secondary to the fun unleashed throughout.

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Man Wanted (1932)

That’s right, it’s another Kay Francis film. More than anything else, this year served as a great personal introduction to just how wonderful Kay Francis is. And this is most certainly a tour-de-force performance from her. In one of the most progressive films you can find from in this era, Francis plays a highly successful magazine editor who takes on a male secretary. Naturally, there’s romance involved, with some Precode activities thrown in too. Francis is again perfect in this web of romance and seduction, and delivers an all around memorable performance.

Down Argentine Way (1940)

This was also a year of discovering Carmen Miranda, and many of her films could have made this list. Down Argentine Way is special, though, thanks to an unbelievable cast of talented performers. In addition to the musical stylings of Miranda, there’s much else to enjoy. The Nicholas Brothers show why they are some of the best dancers ever to appear on film, even if they were sorely underused. The same can be said for Charlotte Greenwood, usually cast as second fiddle comedy. But her dancing is put on great display too. Throw in Don Ameche and Betty Grable, and this is musical gold.

The Sin of Harold Diddlebock (1947)

The Sin of Harold Diddlebock (also known as Mad Wednesday) is another film reviewed here earlier this year. The final film of Harold Lloyd, and the only film he made after his initial retirement, it is a testament to his abilities. Just as adept at sound as he was in silents, Lloyd delivers a great screwball comedy with a trademark wild climax. Who knows what other work he could have done if he hadn’t retired?

Skatetown USA (1979)

One of these ten picks is not like the others (hint: it’s this one). How does a cheesy disco filled rollerskating movie make it on a list of genuinely great films? As I explained earlier this year, 2015 opened my eyes to the fun of the roller disco subgenre. Sure, films like this aren’t likely to win any awards, but they are incredibly fun. Of the bunch, Skatetown USA may be the most fun. It’s even lighter on plot than some similar films, but is even heavier on wackiness and out of nowhere surprises. The music and dance numbers are legitimately good, there’s a pretty impressive cast and there’s fun and weird things around every corner. Sometimes all you want is fun with a film. Skatetown USA delivers that in spades.

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One response to “Imps, Gold Diggers and Roller Disco: My Top Ten Film Discoveries of 2015

  1. Marcy Elliott-Rupert ⋅

    And thanks in large part to your efforts, I saw some of these films in the comfort of my own home with a great virtual group of people.

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